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The Synth-Pop Duo's Creative Genius Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) established Soft Cell with Marc Almond in Leeds in 1977

Dave Ball, one half of the pioneering 1980s electronic music band Soft Cell, has died at the age of 66.

Together with vocalist Marc Almond, the team scored a global success with their version of Gloria Jones' Tainted Love in the mid-80s, and their debut album Non-Stop Erotic Cabaret is regarded as a classic of synth-pop.

He later founded the innovative techno group The Grid, who achieved popular acclaim with their 1994 single the hit Swamp Thing.

Ball passed away peacefully in his rest at his home in London on Wednesday 22 October, just weeks after playing a featured performance with Soft Cell at the Rewind Festival in the Thames-side town.

Recent Health Challenges

During that performance, Ball performed in a wheelchair, as he had for the last two years, after a period of ill-health.

"I managed to injure myself quite a bit," he commented in a recent interview. "I broke lower vertebrae in my spine and cracked about five ribs and broke my arm."

Following contracting a lung infection and suffering from sepsis, he was placed in an medically-induced sleep and remained in hospital for seven months.

Nevertheless, he had been in "high spirits mentally" during the warmer months, as he was developing a new album with Almond, called Danceteria, which is set for release next year.

"He was concentrated and very pleased with the latest project that we literally completed only a short time ago," said the singer in a tribute.
"It's truly heartbreaking as next year was completely planned to be such an uplifting year for him, and I take some solace from the fact that he heard the completed album and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the vanguard of the electronic music scene in the beginning of the decade

Heartfelt Messages

Almond referred to his bandmate as "an exceptionally talented musical genius", adding: "He was the heart and soul of Soft Cell and I'm extremely pleased of our legacy.

"Thank you Dave for being an significant aspect of my existence and for the songs you created with me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, shared his condolences, remembering Ball's "endless laughter" and "steadfast support".

"Forming a partnership with someone is different from joining a group, the connection is very tight," he continued.
"That was the case with us. We went through so many extraordinary, incredible, life-affirming experiences as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in 2018

Formative Years

Brought into the world into a one-parent family in Chester in the late 50s, Ball was put up for adoption when he was a year and a half old.

He was raised in the seaside town with adoptive parents Donald and Brenda Ball, who altered his given name from his birth name to his adopted name, together with his sibling Susan, who was similarly welcomed.

He met Almond at Leeds Polytechnic in the late 70s, where they were both studying fine arts. Fuelled by a shared love of Northern Soul, they formed Soft Cell the same year, and promptly recorded an EP.

Musical Partnership

The pair were an distinctive combination: Ball was the reserved technician, bent over his synthesizer, while Almond was a charismatic showman, all sparkle and eye-liner; but they attained a unique creative synergy.

Ball had developed a interest with synthesizers after viewing Kraftwerk perform on a television science show a popular series, and started to combine dark electronica to the catchy tunes Almond was composing.

Their signature song became the United Kingdom's second biggest-selling song of the early 80s, selling millions of copies globally. Alongside hits by Gary Numan, contemporary bands and electronic acts, it helped paved the way for the electronic music style of the 80s.

The song was also included on their first album, their initial LP, which spawned two further top five singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the stand-alone single, Torch, which reached at number two in 1982.

Soft Cell in the studio
The pair were working on new material right up until Ball's passing

Professional Journey

Fame had its upsides. "I loved being able to afford my initial property, having money and exploring, which makes me sound like a Miss World," Ball not long ago told with a publication.

But it also caused problems. "Newfound wealth allowed we could purchase substances to alleviate the monotony" of press appearances and TV performances, Ball explained.

"I realize that's a cliché, but it's a truism for a good reason, because it works for so many bands."

During the party-filled existence, the pair were also drifting apart, but they managed to create a second memorable record - the wayward, tense and fittingly named The Art Of Falling Apart.

They put out one more album, 1984's This Last Night In Sodom, before ending the group to concentrate on other projects.

Almond went on to have a successful solo career, including the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed dance music with melodic sounds over a enduring collaboration.

Reunions and Final Projects

Soft Cell reunited in the early 2000s, releasing the charting record Cruelty Without Beauty.

After another hiatus, they returned in recent years, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a farewell show at the O2 Arena on 30 September, 2018.

However, they stayed together, creating their fifth album, Happiness Not Included, during the 2020 restrictions.

Ball recently characterized the duo's upcoming release as a homage to the NYC nightlife they visited while recording their first two albums.

He added that his time in medical care had influenced the band's sound.

"I experienced strange recollections when I was coming and going of the hospital because I was on morphine," he told a publication.
"The new songs are a electronic representation of the sounds in my head from those days.
"Simultaneously, it's about the times we had in the 80s."

The final mixes were finished only a short time before Ball died. It is scheduled for release in the spring of 2026.

Written by

Jason King

Liam is a digital content strategist and trend analyst with a passion for uncovering what's popular online.

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